I turn the camera toward issues that hide in the background of societal conversations: the unsettling experience of aging, the complexities of womanhood under the male gaze, and the cultural alienation of living as an outsider. My work asks what we choose to see, what we ignore, and whose experiences remain unspoken.

Using my body as a vessel rather than a self-portrait, I explore movement, tension, and uncertainty, reflecting broader social and political instability. By combining photography with hand-drawn lines, I explore the expressive potential of both media and their shared history as forms of visual communication.

Historical processes like cyanotype and Van Dyke brown connect my practice to the origins of image-making. Working slowly with light and chemistry, I resist the speed and disposability of an AI-driven world, allowing chance and material unpredictability to shape each image.